Work Considered Chronicle Of A Death Foretold English Literature Essay

Work Considered Chronicle Of A Death Foretold English Literature Essay Reflective Statement: Translated from the Spanish masterpiece first published in 1981, Chronicle of a Death Foretold is a tale embossed with irony and political authority. Inspired by a true story, Marquez eloquently critiques the collective psychology of the small Columbian coastal towns residents, whose response to the murder is portrayed through a powerfully orchestrated framework of poetic beauty and literary phenomenon that preserves a chapter of history in a portrait of the 1950s community. I thoroughly enjoyed reading Marquezs work and hope my enthusiasm was conveyed to the group. Discussion focussed on how contextual factors shaped the novella. Plagued by corruption stemming from Catholicism, full appreciation of Marquezs work is dependent upon understanding of religious contexts. Ironically, blatant disregard for religious scriptures implies a superficial nature to religious devotion. I communicated how, despite claiming to be devout Catholics, the neighbourhood undermine religious attitudes by lying to avoid culpability and killing to preserve honour. The insightfully articulated point explaining how forgiveness is the main teaching in Catholicism reinforced how religion cant be used to justify honour killings since they are contradictory to Biblical teachings. We concluded that religion was being used to veil corrupt traditions and anachronistic sentiments. Marquez criticises male obligation to defend family honour. Reminiscent of a motto, there is conviction in the expression honour doesnt wait. Although women are objectified throughout, Angelas accusation that Santiago was her perpetrator remains unquestioned, perhaps because, where preservation of honour is concerned, the sentiment supersedes the action itself. Someone said that possibility of the victims innocence was irrelevant; Santiagos life compensated for the shame brought on the family. The ambiguity of biblical teachings invites misinterpretation. Wiping dirt off his guts, ironically Santiago is the only one with honour. Someone thought cultural differences made relating to characters difficult, reducing overall reading pleasure; I argued, however, time has enriched the story. Influenced by changing attitudes; when the narrator returns 27 years later to piece together the events of the murder, details are confused, suggesting that the townsfolk have altered their memories to absolve themselves of guilt and shared responsibility. Magical realism is a recurring motif. Implications of shared responsibility are shown through the enchanting way everything smells of Santiago Nasar; suggestive of the guilt that haunts the community. Poignant fantastical imagery confuses the distinction between reality and fiction and, like the investigation that inspired his work, there are many unanswered questions. 395 words Aspect: How does narrative perspective influence the readers understanding of the events? Title: Why does Marquez allow the selection of evidence to be influenced by a subjective narrator and to what extent does this complicate the readers investigation into the question who or what is responsible for the death of Santiago Nasar? Translated from the 1981 Spanish text, Chronicle of a Death Foretold is a tale embossed with irony and riddled with mystery. Inspired by a real event, Marquez critiques the collective psychology of the towns residents and their response to a cold-blooded murder. The distinction between fact and fiction is blurred by discrepancies presented within a complex narrative framework as our unnamed narrator investigates the murder. Although the journalistic style is convincing, like everything in this novel, the various accounts are not as they seem. Compounded by the absence of potentially enlightening documents, the investigation presents nothing more than a subjective compilation of inconsistencies. As the narrator rummages through a lagoon of lost causes (100) attempting to recover partial records from the original investigation, we too must piece together an impossible puzzle of narrative ambiguities. No more reliable than the members of the community desperately trying to evade respons ibility, our detective narrator filters and manipulates the evidence, imparting a fragmented report plagued with unsolved mysteries. Thus, when approaching the underlying question who or what is responsible for the death of Santiago Nasar consideration of narrative perspective is essential to see through the misleading facade worn by the community. Narrative subjectivity is shrouded by a deceptive journalistic style. His unique position as a member of the community has decisive influence on the investigation proceedings, making it difficult to establish a trusting relationship with the narrator. We learn of neither his character nor his motivations for trying after so many years to disinter the horrific events, although hopes to unearth a forgotten secret that could restore coherence to the investigation are frequently implied. Despite his meticulous research, our narrator is unable to provide any persuasive evidence; merely a subjective compilation of contradictory accounts, procured largely from sources confounded with bias. Whats more, the traditions and cultural values of the community have had subtle influences on the narrators work. Expressing an intrinsic belief in his mothers ability she had a well-earned reputation as an accurate interpreter of other peoples dreams'(2), the narrator places great value on mythical allus ions; the hyphenated adjective well-earned implying a level of respect and perhaps even admiration for her ability. Although our narrators roots and his relationships with the central protagonists add a new dimension to the investigation, ultimately, like the smell of Santiago Nasar in the memories of the characters, uncertainty lingers in the mind of the reader as a consequence of his subjectivity. One of the major challenges the narrator encounters is the limited availability of evidence; failure to procure key details left many questions unanswered during the original investigation and continues to riddle the chronicle for readers today. Responsible for the selection of evidence, the narrator controls what information is available to the reader; it is plausible that certain details remain undisclosed to protect his integrity. This is compounded by the fact only some 322 from the more than 500 (100) pages of an already deficient collection of documents were rescued by the narrator, implying the absence of details perhaps critical to the understanding of existing evidence and success of the investigation. In compensation for the lack of original evidence he interviews members of the community, but even these accounts are nebulous. Angelas mother, for example, refuses to speak of past events she went to her grave with her secret (46); her memories may have been critical in advan cing the investigation, hence the denied information incites unwelcome feelings of missed opportunity. Such feelings of despair are reflected in this poignant image that reinforces how the secrets are concealed and out of reach, with a metaphorical evocation that the truth is inaccessible. One can only imagine a grave to be a lonely place for a secret; buried deep in the ground and in total darkness, if light represents truth and understanding, this image may be symbolic of the unknown. There is also a suggestion that the community doesnt want the truth exposed as it would mean accepting a degree of culpability. More so than the reservations of key characters, it is the impossibility of retrieving certain memories that troubles the narrator. Officer Leandro Pornoy died the following year, gored in the jugular vein by a bull (53) before the narrator had the opportunity to talk to him. Here the graphic imagery is shocking and resembles something of a newspaper headline. Moreover, incl usion of gory details is consistent with the honest reporting style that veils the narrators subjectivity. Thus, the limited availability of information serves to divert the readers already gruelling journey in search of the truth; our confusion parallels that of our narrator. Used throughout the chronicle as a motif to reflect the emotional position of its characters, the weather is a topic of inconsistency, casting an element of mystery over the novel which is never explicitly addressed. Throughout, Marquez uses pathetic fallacy to convey characters attitudes. Victoria Guzman openly expressed an ardent dislike for Santiago Nasar and her lack of remorse for failing to prevent his murder is metaphorically implied in her statement, claiming It hadnt rained that day, or during the whole month of February (7); her conscience as clear as the sky in her testimony, she will continue to stand by her judgement. Reported to have been a radiant morning with a sea breeze coming in through the banana groves (2), similar values are shared by other members of the community. The positive connotations associated with this image of pastoral harmony suggest a relatively content state of mind and lack of concern. Conversely, the narrator may have been motivated by a desire t o absolve himself from the guilt haunting his conscience. Uncovering the truth would give the investigation a sense of closure, allowing Santiagos memory be left to rest in peace. Where light represents truth and knowledge, it seems apposite that the weather was funereal, with a cloudy, low sky (2). Blocking the sun in the same way answers have been concealed for 27 years, the clouds carry therefore symbolic importance. Hence, provided that questions remain unanswered, the narrator will never truly be able to rid himself of the guilt; perhaps Marquez is presenting a subtle criticism of societys values in that murder should never be justified or accepted on the grounds of honour or personal aversion. The chronicle doesnt follow the typical narrative structure. Instead, intrinsic of the investigation itself, the reader first learns of the murder in the opening sentence before journeying alongside the narrator in an attempt to discover the truth behind the tragedy; the reconstructed past fragmented as proceedings are recounted from various perspectives. Metaphorically, each shard of the broken mirror of memory (5) is a fragment of the truth that only when united can reveal the underlying truth. Meticulous investigation presents a limited picture; like a mirror, the closer the narrator scrutinises individual testimonies and solitary evidence, the more his desired answers elude him and multiple inconsistencies reveal a level of subjectivity. The narrator advocates the conviction of a foretold death because none of us could go on living without an exact knowledge of the place and mission assigned to us by fate. (97), hoping like the rest of the community, to detach himself from the si tuation, alleviating the burden of personal responsibility. The extent to which the death of Santiago Nasar can be attributed to fate, is, however, largely ambiguous. It is Marquezs use of magical realism that alludes to the number of obscure coincidences for which the only logical explanation is fate, sending the reader into a blurred conceptual zone somewhere between fact and fiction. Thus, subjectivity of our unnamed narrator in Chronicle of a Death Foretold can be seen to compromise the credibility of the narrative. The selection of already limited evidence, influenced by the narrators obligation to protect his community, further complicates the underlying investigation into the question: who or what is responsible for the death of Santiago Nasar? His motivation may have been to answer this question; however, it is difficult to identify a single offender given that the entire community is culpable to some degree. Many of the characters insist that fate is responsible for Santiagos death the narrator included, but this is merely a facade, burying the shame that would inevitably be cast upon them should they reveal the truth of how they tolerated such a brutal murder. Ultimately there is not one culprit, nor was the death of Santiago Nasar down to fate, rather it is the anachronistic traditions of the Roman Catholic community that should be criticised. Following social progression, it is difficult for the ashamed community to dwell on events of the past as no justification seems logical or indeed adequate to defend such an unthinkable murder. The collective group overshadowed and plagued the thoughts of the individual; but clearly what is popular is not always moral. His role is not to expose the truth; as a member of that community, inability to accept responsibility will prevent the narrator from ever solving the mystery surrounding the death of Santiago Nasar. Ultimately, Marquez uses the narrator as a device to question the unreliability of the communitys collective voice. (1467 Words)

Health and social unit Essay

Outcome 1 – understand the importance of equality and inclusion 1.1 Diversity- Diversity literally means difference. Diversity recognises that though people have things in common with each other, they are also different and unique in many ways. Diversity is about recognising and valuing those differences. Diversity therefore consists of visible and non-visible factors, which include personal characteristics such as background, culture, personality and work-style in addition to the characteristics that are protected under discrimination legislation in terms of race, disability, gender, religion and belief, sexual orientation and age. Equality- Equality means treating people in a way that is appropriate for their needs. For example, if someone with a disability wanted to board the plane and was in a wheelchair, it would be no good saying to them, â€Å"you have to take the stairs like everybody else†. What is needed is a way of getting on the plane that will suit everybody’s needs without showing them up and treating them in a way that is worse than other people. Inclusion- Inclusion is about equal opportunities for all pupils, whatever their age, gender, ethnicity, attainment and background. It pays particular attention to the provision made for, and the achievement of, different groups of pupils within a school. Discrimination- Giving preference over one kind of people over another because of race, color, creed, national origin, disability, sexual preference, age, maritial status, looks, etc. 1.2 In a work place discriminatin can diliberatly occur, I.E for example if you celebrate christmas and make everyone get involved with secret santa or christmas gifts but not everyone may not celebrate christmas some may have differant religions and beliefs,this is why you should see things with an  open mind and not discriminate anyone just because of your own beliefs. 1.3 By supporting a person’s equality you are treating them as equal and including them in all activities, you will be reducing the likelihood of discrimination Outcome 2 2.1 Equality Act Humans Rights Act GSCC = The General Social Care Council.

Enterprise’s success Essay

Do you think that Avis/Hertz will be able to replicate Enterprise’s success in the local car rental market? It’s hard to believe that Avis/Hertz would be able to replicate Enterprise’s success (at least in the near term) in the local car rental market. Given their current dominance in the market, relationships with auto shops/dealerships/insurance companies, and reservation system’s direct interface with insurers, Enterprise is the most well positioned car rental company for discretionary and insurance repair/replacement rentals. Dominance – Enterprise initially sacrificed investment in the airport market in order to dominate the local market. With its 6,000 branches, one wonders how Avis/Hertz would begin to match Enterprise’s footprint? I imagine this could only be accomplished via substantial capital investments on the parts of Avis/Hertz coupled with initial price breaks for customers in order to tear business away from Enterprise. This action, however, would eat into the profitability of said market. Additionally, Avis/Hertz would have to compete with the burgeoning car sharing industry. These obstacles appear to be too significant to overcome so late in the game. Relationships – The ties established between Enterprise and the auto shops/dealerships/insurance companies are deeply rooted and well founded. In order to convince these institutions that an Avis/Hertz relationship would also be beneficial (or would be superior to Enterprise’s), a compelling sales pitch would need to be made. What can Avis/Hertz offer these institutions that Enterprise isn’t currently providing? The products/services of all three-car rental agencies appear to be of equal quality (if not a slight edge given to Enterprise), so what is the end benefit of new relationships to auto shop/dealership/insurance company? Interface – The case does not quantify any initial investments made by the insurers to develop the reservation interface, but one must assume the investments were substantial (either measured in capital or time). In order to be profitable/dominant in the local market, Avis/Hertz would either have to abolish these ties, establish new ones (assuming there are untapped institutions), or run their systems in parallel with Enterprise’s. The latter appears to be most likely, and that could result in profit erosion, as Avis/Hertz would likely have to reduce prices in order to gain market share. I question whether an auto shop/dealer/insurer would even want to train employees how to use a competitor’s system, unless there is a  substantial upside in doing so. Side note: My only reservation in giving Enterprise sole competitive advantage in this space is their apparent penchant for risk. By handling all of its own vehicle sales, has Enterprise merely been lucky or are they simply more skilled at the buying/selling of their fleet? Given Enterprise’s long-term success, one must assume the latter†¦

Frida Kahlo the Woman. the Artist. - 1506 Words

Frida Kahlo: The Woman. The Artist. Why did I choose Frida Kahlo for my research paper? I choose Ms. Kahlo because she is my favorite artist. I first learned of her in middle school and immediately fell in love with her work. It was very emotionally impacting. I have included many samples of her artwork. The things she saw and accomplished prompted the sensational works that spilled out of her brush. She had not wanted to follow in the imaginative strides of her photographic artist father and granddad. Yet, take a gander at the silver coating of the deplorability of her mischance. As opposed to turning into a specialist, she painted pictures that made individuals talk and examine. She is presently unmistakable worldwide for her one of a†¦show more content†¦It depicts the once again nude Kahlo on a bloody hospital bed, crying and holding images of a baby and a pelvis. She went through over 30 surgeries to try to repair the damage and she was just left in more pain. She’d started to lose faith in medicin e when she painted Tree of Hope (Figure 5) where a prone, assumed Frida lies cut up and bleeding on a gurney while another Frida in a traditional dress holds a back brace. These self-portraits were a way for her to process the pain she felt. â€Å"In Frida’s work oil paint mixes with the blood of her inner monologue.† (Tibol, 1993) They are disturbing images that invoke fear in the viewer. Her torment is so explicitly shown in her blood and exposure that might be felt so unequivocally by the viewer. She demands you feel it with her direct stare. Kahlo invoked such strong reactions to her work because they challenged traditional values with modern ideas, mixed with often violent and sexualized imagery. She used her art to bring attention to the mistreatment of women and to aid the feminist movement. A Few Small Nips (Figure 6) was painted after she read in the newspaper about a man who stabbed his cheating wife. Frida was herself a sexually promiscuous woman who’d had affairs with both men and women (Lindauer, 1999) so she would feel invested in how such women are viewed. She fought against the expectation of the meek female dressed up in lace and bows. She painted Self-Portrait withShow MoreRelatedLove as a Major Muse: Analyzing Frida Kahlos Relationship With Diego Rivera1054 Words   |  4 PagesFrida Kahlo is quoted as saying, I suffered two grave accidents in my life. One in which a streetcar knocked me down. The other accident is Diego, (cited by Botis 1). The love relationship between Frida Kahlo and Diego River a is one of the most famous in modern art. Their relationship was tumultuous, which seemed to be a good recipe for creativity and artistic self-expression. 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